Mask drama in the poetry of Ahmad Matar
CONTEMPORARY ISLAMIC STUDIENS MAGAZINE,
Volume 3, Issue 5, Pages 1-19
AbstractThis study attempts to detect technical mask that appeared first The initiatives of the Arab poetry with the advent of free verse in Iraq at the hands of Nazik and Badr Shakir Al and exploited by poets that difficult phase of the disappearance of left so that they can express their ideas and doctrines and ideology forms the political margin of freedom without regard to the censor's scissors and without fear of prosecution.
But here we find a poet Iraqi use of this phenomenon in spite of its liberation from the obsession with the so-called fear; for the lost sense of the latter, but it has become moves are seen as due to a bullet treacherous fired by one of the ousted regime, but as far regulations, poet gained runner everyone from the Atlantic Ocean to the Gulf of national positions and repeated calls for revolution and Plavtadth which are moving between young people in high secrecy used to explain and clarify the idea as long as echoed by leaders of the Arabs, past and present is the idea of (King sterile) and the leadership of Khaleda him and his children after him; idea must be met, whatever the sacrifices paid by the citizen's idea ceased to exist in civilized countries but our philosophy is not perforated and does not plague the sacred rite.
According to the requirements of the topic, the research as a prelude and four paragraphs, each paragraph focused on studying a poem of poems, which contained on this technique from the poem the largest and the end of the Balosgr also contains research on the finale of the most important findings of the researcher and then a list of sources and references Fml_khas very English.
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